WEST TEXAS DEGENERATE —

Most bands try to romanticize Texas. Treaty Oak Revival just tells it how it is.

West Texas ain’t a postcard.

It’s: busted knuckles payday Fridays split shifts 8 hours of overtime you didn’t ask for the hum of a compressor the sting of a divorce and the quiet miracle of making it through another week

It’s dust that sneaks into your boots and never leaves, Stripes coffee that tastes like burnt hope,and the long drive home on 191 with a sun that refuses to set before it blinds you one more damn time.

And that’s exactly why the title track, “West Texas Degenerate,” burns the way it does —

because Treaty Oak Revival didn’t shoulder it alone. They pulled in William Clark Green, a man who can write heartbreak like scripture and sing it like a barstool confession.

He fits the track like Red Dirt belongs in your veins —two generations of West Texas outlaws trading notes, comparing their scars, and telling the truth the way it actually sounds out here.

No polish. No pretty bow.

Just grit, dust, honesty, and guitars sharp enough to slice through all three.

That’s the magic of this whole damn album:it doesn’t try to make West Texas look good —it tells the truth about what it takes to live here.

It feels like home,

even when home is the kind of mess you’re still trying to sweep out of your life. Because anyone who’s ever worked a shutdown, sat alone in a dark truck cab, or tried piecing their life back together one paycheck at a time knows exactly what this record is saying:

Survival is an art form out here.

And somehow, Treaty Oak Revival turned that survival into a 14-track soundtrack for the beat-down,and the ones learning how to stand back up even when the world didn’t give them much reason.

This album ain’t an escape.

It’s a mirror.

And if you’re honest, you’ll see yourself staring back.

So here’s to the West Texas degenerates —

the ones who’ve loved hard and lost harder, the ones who’ve buried friends, dreams, and older versions of themselves, the ones who’ve prayed for rain and settled for dust devils spinning across a caliche lot.

Here’s to the hands still scarred from busted knuckles, to the hearts still healing from busted promises, and to the folks who keep waking up,

keep clocking in, keep trying again.

This record ain’t just music. It’s a reminder:

Out here in West Texas,

we might be degenerates…but we damn sure ain’t alone.

🌵 Where Red Raiders Turn Red Dirt

Something about Lubbock just breeds storytellers — maybe it’s the wind talkin’ too much, or the way the horizon goes on forever, leavin’ you alone with your thoughts and a half-tuned guitar. Either way, those Red Raiders down at Texas Tech been turnin’ textbooks into tour vans for years now.

It started with Wade Bowen, the godfather of the Tech troubadours. Back when he and his buddies were still passin’ beers and notebooks around dorm rooms, they formed a little outfit called West 84. That band laid the groundwork for what we now call the modern Texas country circuit — heartland rock grit with dance-hall soul. Wade didn’t just graduate; he built the syllabus for every Red Raider who picked up a six-string after him.

Then came Josh Abbott, who took Bowen’s playbook and ran it full-speed down Broadway, turning Lubbock’s local pride into a statewide movement. Abbott showed you could stay independent, stay proud, and still pack out arenas — all without leavin’ your Texas roots behind.

William Clark Green followed suit, diggin’ deep into the Caprock dirt with songs that sounded like blue-collar confessions. His verses could swing between heartbreak and humor, but they all smelled faintly of cedar, smoke, and stubbornness.

And then there’s Cleto Cordero, with Flatland Cavalry, who brought back the romance of a fiddle line and made poetry sound like something you’d hear at the county fair. Cleto’s the bridge between old and new — respectful of his roots, but unafraid to color outside the lines.

That’s the thing about this Lubbock scene: it ain’t about flash or fame. It’s about feel. It’s a bunch of Red Raiders who learned that you don’t need a record deal to make a record that matters. Out here, the dust does the producing.

🌬️ Still Blowin’ Through the Caprock

The wind never quits in Lubbock, and neither does the music. That same red dirt that coated Buddy Holly’s glasses is still gettin’ kicked up every weekend by a new generation of songwriters. One of ‘em — Hudson Westbrook — is proof that the tradition ain’t fading. He’s young, hungry, and carryin’ the same grit in his lyrics that’s been blowin’ through these plains for decades.

From Wade Bowen to Hudson Westbrook, every Red Raider who’s ever tuned up under a West Texas sunset is part of the same long story — one about hard work, heartbreak, and holdin’ fast when the wind gets rough.

So here’s to the next one who picks up a guitar and lets that Lubbock wind whistle through the strings.

Guns Up, and let the dust keep rollin’.

Whole Lotta Lubbock

Still got a whole lotta Lubbock left in me…

I have always thought that Terry Allen’s Lubbock (On Everything) was one of the greatest compilations ever created. There’s no doubt in my mind that Lubbock inspired Allen as well as too many other artists to mention in some way or another. William Clark Green is a perfect example of that.

Growing up 117 miles to the south my musical taste blew down from Lubbock like a dust storm , every time the wind blows, which is pretty often out here in West Texas. The mixed cultural influences of farmers and ranchers , the oil men, the money men, and those who will put in a hard days work to keep it all drilling…

My brother lives in Lubbock a loyal alumnus of the Texas Tech University. He went to school there and never left. My parents just moved up there. The medicine and the food and all that Lubbock offers. It’s the big city life for the ones who don’t like the big city.

William Clark Green says it perfectly in this song..: a song about where his humble beginnings came from.

Guns up

Pancho.

Tough Country

“Wonder why we settled here,” sings William Clark Green, “ with the rattlesnakes and the prickly pear and a water table two hundred feet down…”

The Panhandlers were ecstatic to be back in West Texas last night as they graced the stage at the Wagner Noel in Midland.

This band’s music centers around the land they all adopted as home.. a sentiment that rings in as West Texas the Best Texas.

Cleto Cordero Flatland Cavalry/ Panhandlers

Band member Cleto Cordero grew up in Midland and the hometown advantage was felt by all.. as his mother sat in the front row he sang the songs he’d written along the way from places like Lubbock and Marfa and Eastland. Songs about the oil and the cattle and the cotton,

I love the people here most of all and there is a culture that is a mixture of a cowboy and a farmer and a roughneck and everyone in between..

This was the second time I’ve seen this act live although I’ve seen each individually.

The singers of the band consist of Cleto, who heads up his band Flatland Cavalry, William Clark Green, Texas Country turned Rock Show, Josh Abbott of the JAB who holds the whole project together, and songwriter and performer John Baumann. Each brings talented musicians from their own groups together on one stage as they sing songs together in a style that is not usually heard in their own shows.. Each of them are accomplished songwriters and together they are unstoppable.

The ties they share stem from their college days as alumni of Texas Tech university and their love of songwriting.. specifically songs about Texas..

The band plays mainly original songs they’ve written although they can and will throw in covers by other notable Texas Musicians, including Guy Clark , and Terry Allen. They also recorded a song called “West Texas in My Eyes,” written by a personal friend of theirs and mine, Charlie Stout. And last night they covered the Highwaymen… Willie Nelson , Johnny Cash, Kris Kristofferson and Waylon Jennings.

I ain’t crying…

Pancho.

Midland Jamboree

“Well fix your hair up big as Heaven I’ll go down to the 7-11,” begins one of the Panhandlers newest creations, Midland Jamboree.

This evening , in the neighboring county of Midland, the Panhandlers performed live at the historic Ector Theater.

Keller Cox kicked off the show, opening for the Texas Country supergroup the Panhandlers. Accompanying Keller was Flatland Cavalry fiddle player, Wesley Hall.

Keller Cox announced during his set that he has been in Lubbock Texas just this week recording for an upcoming LP.

Keller T Cox With Wesley Hall Ector Theater Odessa Tx 11/19/22

The Panhandlers is made up of Cleto Cordero the front man for Flatland Cavalry, William Clark Green, Josh Abbott of the Josh Abbott band, and John Baumann. I always knew these people were some extraordinary songwriters in their own right, but when the four of these guys got together to write some songs what they came up with was magical.

I discovered the Panhandlers after an introduction to songwriter Charlie Stout at the BlueLight in Lubbock by Mason Server of Mason and The Gin Line. Stout had written a song called “West Texas in My Eye.” The song was covered by the Panhandlers band. The song appears as performed by the Panhandlers on the television series Yellowstone. I was proud to hear William Clark Green give a huge shoutout to Stout tonight from the stage for his songwriting ability and work on that song. Green also explained that it was Josh Abbott who pitched the song to the group. “We’ve got to do this song,” Abbott told the others. What a beautiful decision it was for all involved.

Baumann, Abbott, and Cordero

The Panhandlers original LP has become one of my favorite albums of all time. The song Cactus Flower, penned by Cordero for his wife Kaitlin Butts quickly became “our song,” for my girlfriend and I. We were both emotional after finally getting to hear the song live together this evening.

Cleto Cordero and William Clark Green

Currently the Panhandlers have 14 original songs. In tonight’s set the group of songwriters each performed one of their own original songs. They also covered a few more. During the encore, the group did a stellar performance of the Terry Allen tune Amarillo Highway.

I had a grand time seeing these guys play. If you get a chance to see them, it’s a show that you won’t want to miss. I’ll keep listening and looking forward to more songs about the culture and class of the West Texas Caprock.

Josh Abbott
John Baumann

West Texas is The Best Texas

Pancho.

Blue Light

The blue light is a wierd little place but it’s our place we like it

Blaze Butler

“The BlueLight is a weird little place but it’s our place we like it, “ Blaze Butler, bass player for Lubbock’s own Mason and the Gin Line, once told me. He was describing the iconic and historic venue nestled in Lubbock’s depot district. The BlueLight gave many a singer songwriter their first chance to play the songs that they had scribed on paper and picked over so many times a place to bounce off of fans and other musicians alike. Many success stories began in that little place. In the Texas country scene many names that we all know and love have performed on that little stage and keep that flame shining bright on Buddy Holly avenue.

Jason Boland started there. Cleto Cordero took his little band from Midland and grew it into the brand now known as Flatland Cavalry in that weird little place. William Clark Green, John Baumann, Josh Abbott have all been there. There were plenty others. Brandon Adams calls the place home so does Charlie Stout.

If you happen to be near Lubbock, Texas on any night of the week and you want something to do, the BlueLight is the place.

Bill Whitbeck, Robert Earl Keen’s longtime bass player, recently wrote a song named for this Texas Icon. The lyrics tell a story about one musician getting her start under that flame. Blue Light is a new single performed by Whitbeck and the Singer/Songwriter Robert Earl Keen.

https://open.spotify.com/track/7Ju9orKb5uBRHc2rV3vvO0?si=p7_Ur8K2RMuMiC6BGavwbw

Stream the song now on Spotify.

Pancho.

Baker Hotel

The Baker Hotel in Mineral Wells, Texas was once a luxury destination, due to the “Crazy Waters” from mineral pools in the area that were said to have magical healing properties.

The hotel opened to the public in November, 1929. It was the first hotel in the state of Texas to have its own swimming pool. Notable guests at the hotel during it’s hey days were Lyndon B Johnson, Clark Gable , and Judy Garland. Residents of the area also have claimed the outlaws Bonnie and Clyde have rested in the Baker. The hotel operated until 1963 and has been closed since then. The structure itself is said to be haunted. One of the apparitions that has been said to have appeared at the site is of the likeness of a woman who once jumped to her death from the top of the building. Lipstick stains have appeared on wine glasses found in the suite she stayed in on the southeast corner of the seventh floor.

Singer William Clark Green pays tribute in his Texas tradition with his newest release the “Baker Hotel.”

Pancho.

This just in… the official Video.. filmed inside the Baker!