THE TRUTH BEHIND MERLE HAGGARD’S WINTER MASTERPIECE

Merle dropped “If We Make It Through December” in OCTOBER like a man who knew his song would slow-burn its way into every cold kitchen, truck cab, and broken heart by Christmas. By the time December hit, the damn thing was #1 and America was cryin’ in their Folgers.

Then the album didn’t even come out until February, because Merle didn’t give a single solitary damn about “release cycles” or “content calendars” or whatever Nashville interns clutch their laptops over today. He just wrote the truth, released it when he wanted, and let the song do the heavy liftin’. Try pullin’ that off in 2025 Nashville.

Despite how deeply December is woven into its bones, “If We Make It Through December” was never meant to be a Christmas gimmick. Merle wrote it for a holiday-themed record he was piecing together, but the song immediately broke out of the seasonal box.

This wasn’t a jingle. It wasn’t a novelty. It was a working man’s blues dressed as a single father’s fear. Merle tapped into something bigger than holidays — he tapped into survival.

THE RELEASE THAT MADE ZERO MARKETING SENSE (AND ALL THE MUSICAL SENSE)

Single released: October 1973 Album released: February 1974 Show that timeline to a modern Nashville marketing team and watch their hair catch fire.

But Merle didn’t play the industry’s game. He played his own.

The song hit radio in October and did exactly what he expected: it clawed slowly into the hearts of the people who needed it most. By December, the whole country was holding its breath with him. After its October release, the single rose like a cold front creeping across the plains:

#1 on Billboard Hot Country Singles (December 1973) Held the top spot for four straight weeks Crossed over into the pop charts

It was one of Merle’s most successful singles ever — not because it was polished, but because it was true.

“If We Make It Through December” works because it isn’t wrapped in tinsel or coated in sugar.

It’s about: layoffs, cold paychecks, fear you can’t hide from your kids, pride that’s taken a beating, and the thin hope that things might get better when the calendar flips.

It’s the kind of truth you don’t forget, especially if you’ve ever watched a winter bill stack up while the thermometer drops.

Merle wasn’t writing hits. He was writing hard life, sung soft enough for the whole country to feel it. Half a century later, the song still lands like a reminder of what country music was built on.

Real stories. Real fear. Real hope.

Merle didn’t follow trends. He didn’t take advice from suits. He didn’t schedule releases around playlists or cross-promotional campaigns. He wrote a song people needed — and he let that song walk into December on its own two feet.

Nashville can try to bottle that magic, but they can’t recreate it. Not in 1973. Not in 2025. Not ever.

—Pancho’s Picks

Riding for the real ones, dodging the rhinestone pretenders.

Barn Burner

What a barn burner it was. My Friday night in Lubbock to see live music. Tonight I found myself down on the front row of the Cactus Theatre, Summer Dean opened the show with her brand of Honky Tonkin that keeps me coming back.

Summer Dean

If you’ve never heard her music you are missing out This Texas gal can write, and pick and belt it out. She has played her music as far away as Australia but she never forgets that Texas is her home.

Next up was Bruce Robison. Bruce has been one of my mainstay favorite songwriters for as long as I can remember, I mean before the Dixie Chicks became Just the Chicks, Robisons songs were becoming popular.. not only has the Chicks recorded his tunes, but the likes of George Strait recorded him, so did Tim McGraw and Faith Hill.

Bruce Robison

Hearing Bruce sing the songs the way they were written was a bucket list event for me. I think I sang along to nearly everything he played.. He did throw a few new ones our way that are just as perfect and well calculated as his biggest hits. I smiled , I cried. Bruce’s brother Charlie Robison passed late last year, it totally got emotional this evening when Bruce Robison played one of brother Charlie’s songs- Sunset Boulevard.

Bruce Robison called Summer Dean back to the stage for a cover of the kristofferson penned, ‘Help me make it through the night.’

Bruce Robison with Summer Dean at the Cactus Theatre in Lubbock

After Summer sang her song with Bruce he called up John Fullbright who pecked out the piano as good as anyone else I have ever heard.

After a short intermission John Fullbright and his band played for well over an hour.. I fell in love with his musical styles and his ability. The Lyrics were truly inspired by the band of God. This little band from Tulsa was well received by the caprock crowd.

John Fullbright
Steven Lee

Lee and Fullbright

Steven Lee Fulbright’s guitarist was an amazing addition.. this guy really knew how to bend the strings and his talent completely complemented Fullbright in each and every way.

I couldn’t ask for a better way to kick off the weekend in the 806.

A real barn burner.

Pancho.