Flatland and the Rumor Mill

I didn’t hear it from the internet.

Didn’t read it in some think-piece or see it trend with a damn hashtag.

I heard it.

The way rumors get heard — sideways, through a jukebox hum and half a sentence somebody didn’t mean to say out loud.

Somebody slid a phone across the bar like it was contraband.

Didn’t say nothin’.

Just let the words sit there.

Flatland Cavalry

Bio reads: “never coming back…”

Now that’s the kind of line that don’t ask permission.

That’s a line that walks in, orders whiskey, and stares at the wall like it knows somethin’ the rest of us don’t.

So I laugh it off at first.

Because Flatland does this.

They’ve always done this.

They don’t announce — they haunt.

But then somebody plays me a snippet.

Just a sliver of a song, not even a full verse.

And damn if it don’t circle the same drain.

Leaving.

Finality.

That quiet kind of goodbye that don’t slam doors — it just never turns the porch light back on.

Now here’s where the bar gets quiet.

Because when Cleto Cordero writes about not coming back, folks start wondering if he’s writing songs or writing receipts.

And when your life’s been shared with Kaitlin Butts, a hell of a writer in her own right, people get real curious real fast.

I don’t know anything.

None of us do.

That’s the truth.

But here’s what I do know —

Cleto’s always written like he’s bleeding, even when the wound’s already scarred over.

And Flatland’s never needed real heartbreak to make you feel one.

So I sit there, staring into my drink, wondering which hurt this is.

Is this life cracking open?

Or is this just another Flatland trick — letting silence do the talking until the song shows up to finish the sentence?

Because “never coming back” can mean a lot of things.

A town.

A version of yourself.

A season that don’t exist anymore.

And Flatland’s been real good at writing about all three.

So I tell the boys at the bar what I really think, even if it ain’t as dramatic as the rumor mill wants it to be:

If something was broken, we’d hear it in full, not in fragments.

And if something’s coming, Flatland’s exactly the kind of band that’d light the fuse and walk away smiling.

Either way —

If a song’s on the way, it’s gonna hurt real pretty.

And if it ain’t?

Then we’ll shut up, drink up, and mind our business like grown men ought to.

But until then…

I’m keepin’ one eye on that bio

and one ear on the jukebox.

Because when Flatland says “never coming back,”

they usually mean

something’s about to arrive.

— Pancho’s Picks

Ridin’ with rumors, duckin’ conclusions,

and trustin’ the song to tell the truth when it’s ready.

Kaitlin Butts Sings “Tulsa Time” — A Damn Okie Paying Tribute to Her Roots

Some songs feel borrowed. Some songs feel earned.

And then there’s “Tulsa Time” — a tune so soaked into the soil of Oklahoma that only an Okie can truly make it grin again.

“Tulsa Time” came into the world in 1978, born in a hotel room in Oklahoma City when Danny Flowers, road-weary and iced-in during a snowstorm, picked up his guitar and wrote a little shuffle to kill the boredom.

Don Williams cut it first — smooth, calm, that golden baritone — and took it all the way to No. 1 on the country charts. Then Eric Clapton turned around and put his fingerprints on it, pushing it into the rock world. But no matter who sings it, the heart of the thing never left the state line.

“Living on Tulsa Time” ain’t just a lyric.

It’s a way of moving, a rhythm you learn in the bars, backroads, and two-lane nights of eastern Oklahoma. Enter Kaitlin Butts — A Voice With Oklahoma in the Bone Marrow Kaitlin Butts isn’t pretending. She’s not “channeling” anything.

She is Oklahoma —

Born and raised in Tulsa, shaped by red dirt winds, revival tent harmonies, honky-tonk heartbreaks, and that stubborn little streak Okies carry around like a second heartbeat. She grew up singing in talent shows, Opry stages, and school choir rooms — the kind of kid who could knock out a Patsy Cline tune before she could drive. Her songwriting has always blended humor, heartache, and frontier toughness, but at the core of it all is the one thing that can’t be faked:

She’s a damn okie.

And she sings like one — open vowels, a wry grin in the phrasing, and a tenderness tough enough to survive a dust storm.

With the Yeehaw Sessions, Kaitlin isn’t trying to reinvent the wheel. She’s just stepping into a song that belongs to her people, her region, her story.

Her version of “Tulsa Time” feels: lighthearted, playful, but honest — like the song’s coming home after being out on the road too long.

She doesn’t dress it up. Doesn’t overthink it.

She just leans in and lets that Okie spirit shine through like neon off a wet street in downtown Tulsa. It’s fun. It’s breezy. It’s Kaitlin being Kaitlin — the exact reason we all love her.

In a world full of polished, plastic covers, Kaitlin’s cut hits different because she’s not chasing anything.

She’s celebrating where she’s from. She’s tipping her hat to the legends. And she’s proving, once again, that the Red Dirt women are carrying the torch in ways the old guard never saw coming.

Kaitlin Butts singing “Tulsa Time” isn’t a cover — it’s an Okie reclaiming something that was hers all along.

Valentine

I’ve seen the signs that point out the way, as I’ve driven the backroads of the Big Bend Region of West Texas. I have heard stories from the locals there about things like the time Indian Larry took out the gas pumps on one of his drunken escapades.

Valentine, Texas a place long forgotten in time with its population averaging just around 100 folks. Valentine is also known for a movie called Dancer Texas that was filmed there. The town got its name from the coming of the rails. A Southern Pacific crew building rails reached the site way back in 1882- the date February 14, 1882 to be exact.

Texas Singer/Songwriter John Baumann recently Tweeted that he wrote this tune about the little place out West last year on the day before Valentine’s Day.

Valentine, for Valentines features the Panhandlers as well as Kaitlin Butts who also happens to be singer Cleto Corderos Valentine Sweetheart and wife.

The Panhandlers make some pretty catchy tunes and they are proud to be putting West Texas back on the map-

West Texas is the Best Texas.

Pancho.

Blood

I recently watched the newly released official music video for the Kaitlin Butts song, “Blood”. A song about alcoholism and narcissistic personalities. I

The song really hits close to home for me. I’m over 5000 days sober now but I am still in the midst of realizing just how sick I was. It has taken me years to make some of the amends for the damage I caused others. On the flip side I have found myself in bad relationships and break-ups that left me wounded from the inside out.

Butts says she spends time watching the world around her. When she sees her friends and family go through trials and tribulations she writes about it and it brings her some sort of peace.

This is a cruel world we live in. Kindness and laughter is definitely the best medicine. I am grateful for someone like Kaitlin Butts who can use her words and paint the picture of something we have all gone through.

I know from my own experience that life can and will get better. It’s how we choose to view it and live in it. A change can and will happen. We all have the power within us to choose.

Pancho.

Midland Jamboree

“Well fix your hair up big as Heaven I’ll go down to the 7-11,” begins one of the Panhandlers newest creations, Midland Jamboree.

This evening , in the neighboring county of Midland, the Panhandlers performed live at the historic Ector Theater.

Keller Cox kicked off the show, opening for the Texas Country supergroup the Panhandlers. Accompanying Keller was Flatland Cavalry fiddle player, Wesley Hall.

Keller Cox announced during his set that he has been in Lubbock Texas just this week recording for an upcoming LP.

Keller T Cox With Wesley Hall Ector Theater Odessa Tx 11/19/22

The Panhandlers is made up of Cleto Cordero the front man for Flatland Cavalry, William Clark Green, Josh Abbott of the Josh Abbott band, and John Baumann. I always knew these people were some extraordinary songwriters in their own right, but when the four of these guys got together to write some songs what they came up with was magical.

I discovered the Panhandlers after an introduction to songwriter Charlie Stout at the BlueLight in Lubbock by Mason Server of Mason and The Gin Line. Stout had written a song called “West Texas in My Eye.” The song was covered by the Panhandlers band. The song appears as performed by the Panhandlers on the television series Yellowstone. I was proud to hear William Clark Green give a huge shoutout to Stout tonight from the stage for his songwriting ability and work on that song. Green also explained that it was Josh Abbott who pitched the song to the group. “We’ve got to do this song,” Abbott told the others. What a beautiful decision it was for all involved.

Baumann, Abbott, and Cordero

The Panhandlers original LP has become one of my favorite albums of all time. The song Cactus Flower, penned by Cordero for his wife Kaitlin Butts quickly became “our song,” for my girlfriend and I. We were both emotional after finally getting to hear the song live together this evening.

Cleto Cordero and William Clark Green

Currently the Panhandlers have 14 original songs. In tonight’s set the group of songwriters each performed one of their own original songs. They also covered a few more. During the encore, the group did a stellar performance of the Terry Allen tune Amarillo Highway.

I had a grand time seeing these guys play. If you get a chance to see them, it’s a show that you won’t want to miss. I’ll keep listening and looking forward to more songs about the culture and class of the West Texas Caprock.

Josh Abbott
John Baumann

West Texas is The Best Texas

Pancho.